Wednesday Reflections #21 – Something About You by Julie James

201003-something-about-you1Title     Something About You

Series     FBI/US Attorney #01

Author     Julie James

Genre     Contemporary Romance | Romantic Suspense

Publisher      Penguin/Berkley

Publication Date      March 2nd 2010

Format      eBook

Setting     Chicago, Illinois, USA

ISBN     1101185805

Synopsis: When Assistant U.S. Attorney Cameron Lynde checks into an upscale hotel for the weekend as the newly tiled floors in her house dries, she expects a peaceful night’s sleep. Instead, she finds herself kept awake by very noisy copulation by the guests next door. But calling in security on the lovers lands Cameron as a key witness for a murder case – a case that involves a dead escort, a philandering Senate, and Cameron’s nemesis FBI Agent Jack Pallas. Three years ago, Cameron and Jack had a falling out when Cameron was made to axe a case for which Jack had worked undercover and been tortured. Not knowing that the decision to shut down the case was Cameron’s boss’s idea, Jack had slandered Cameron on national TV. With no love lost between them, Cameron is reluctant to work with Jack but her sense of duty has her cooperating. She is put under police surveillance when they discover the Senate did not commit the murder and the real murderer is a faceless man at large. Though most of the surveillance work is handled by the CPD, Cameron and Jack are thrown together more often than they desire since he is the lead investigator. Tension mounts as they continue to bait each other at every encounter but their raw sexual attraction is also undeniable. And then the murderer appears masked in her house one night and Jack enlists himself to act as her live-in bodyguard.

Experience: I’ll admit, the humor in opening scene of this novel was very forced. The loud headboard banging from the next guest room occupied half of it and I thought a bit unnecessary to prolong. But luckily, the book then took a very positive turn and I LOVED IT! In fact, I loved it enough to breeze through the rest of the series and found that James sustains her ability to hold me as a reader.

It was a feel-good romance, which is what got me into writing romances in the first place. Both the heroine and the hero were solid individuals that I could like and become friends with if they were real people. There were some great tête-e-tête between Cameron and Jack that made me laugh outloud (or at least sport a goofy smile in public). And I really admire how James generally makes her female characters such women of the world, professionally successful and settled, and the men so driven. That the men are so mucho doesn’t hurt either but I appreciated that their moral radar is so intact even more.

Yet, they are not without imperfections. I admired how Cameron travelled with a whole case of cosmetics to make herself presentable or that she put on makeup after a shower even if she was staying in. This made her more real, more accessible to the contemporary women of our generation. James broke the mold of gorgeous romance heroine who look shiny and brand new even when they wake up in the back alley of a seedy bar after passing out from participating in a night of drunken carousel – not that traditional romance heroines would participate in such activities. The supporting characters are equally charming, with men owning up to watching chick flicks and having heart-to-hearts even while the hero tries to remain alpha though with twitchy smiles. Stereotypes, be damned.

Julie James also has gone intersectional with her romance. In fact, all of the books in the series had people of color, different faiths, sexual orientations, etc. who were NOT put in negative roles. And since the books were written in the pre-Trump campaign era, I would have to say James demonstrates a lot of foresight by portraying the true face of America today. It wasn’t that she was blaring her endorsement of tolerance but had the presence of mind to not white wash all her characters. In Something About You, Cameron’s best friend is a homosexual man who is a sports writer and Jack’s partner is a heterosexual African American man top cadet from Harvard who dresses like a fashionista and is unabashedly in touch with his feminine side. Again, out with the stereotypes.

The plot was totally plausible and there wasn’t too much hullaballoo over the setting to draw attention away from the matter at hand – the blooming romance between two professional adversaries. But the one thing that I thought could have turned out better is the element of surprise. For a romantic suspense, there wasn’t much suspense. In fact, reader is introduced to the murdered from act one, name, role, and POV. We are informed why he committed the crime, we are exposed to his moral sense, and we are hinted on what his next move will be. The only thing left to do was read how it all pans out. In essence, the suspense belonged to the characters within the story and not for the readers to work through. But I actually understood why James did not sweat over arranging the scenes in the novel in a way that bolstered the mystery. Despite being a murder mystery, the main motivator for the story is romance. And when all things are said and done, for a reader of romance, that is okay too.

Recommendation: I recommend reading the entire series, even though I am not reviewing all of it. If you love contemporary romance that stays true to the modern society, this book is a great read.

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#AuthorToolbox 03: head-hopping and migraines

 

In my twentieth installation of WRITING CHRONICLES, I went into great details about the various types of narrators and POVs that may be used in storytelling. A perusal will tell you that jumping POVs in the middle of scenes is one of my pet peeves. Of course, a scene may be told from the perspective of different characters but there are proper etiquettes to these things. When you are having a conversation with someone, how much would you enjoy being interrupted by the other person while talking? Or worse, if a third party straggler just decided to insert themselves into your discussion midway? The narrator and the reader develop a bond over the course of a story that requires similar decorum. Each character must wait their turn to have their say.  Read the rest of this entry »

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WRITING CHRONICLE #21: The Liebster Blog Award

Via: Daily Prompt – Blossom & Bottle

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So! I have been nominated for the Liebster [Blog] Award and I thank Louise Brady over at DRAGONSPIRE UK for it. Louise’s blog has a host of wonderful stories and TV show reviews that fantasy lovers would relish. There are also these little anecdotes from her personal experiences as a writer and editorial intern that aspiring authors may find useful – I know I gained new perspectives from them. Thank you, Louise, for both the nomination and the camaraderie.

The Liebster Award is a fellowship of chain-nomination that encourages bloggers to keep up the good work and flourish, helps readers to discover new blogs and learn more about their writer(s), and foster… fellowship among bloggers. You can learn more about the award from the link above but, here, allow me to move on to the responsibilities that goes with accepting the nomination, i.e. the rules:

1. Thank the person who nominated you and link their blog – Done.

2. Answer the 11 questions the person asked you – Well, here goes…  Read the rest of this entry »

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Wednesday Reflections #20 – Deep Dish by Mary Kay Andrews

Via: Daily Prompt – Polish

1197456Title     Deep Dish

Author     Mary Kay Andrews

Genre     Contemporary Romance, Chick-Lit, Southern American

Publisher      HarperCollins

Publication Date      February 26, 2008

Format      eBook

Setting     Atlanta, Georgia, USA

ISBN     0061579912

Synopsis: Everything in Regina Foxton’s life is not peachy but she can make do. Sure the kitchen from which she tapes her television cooking program is held together by scotch tape and she wished she had better wardrobe to host in and she wished her new car would run without failures, but at least she finally has her own cooking show and a car and a house and a sweet boyfriend who also happens to be her producer. But then she finds out that she is out of a job because her sponsor has canceled the show because her boyfriend did the sponsor’s child bride. Now she faces a prospect of moving back to her hometown in with her parents and has to tag along her baby sister who is already a handful with her cutting college classes to play on Xbox and party-hardy. Regina Foxton is what one would call has paddled “out of her depth”. But then The Cooking Channel is scouting her show and she really has a shot at landing the major leagues, except there is another cooking show that has rolled into town to vie for the position. Tate Moody is ruggedly gorgeous and his cooking style (kill and cook your dinner) is the polar opposite of Regina’s (Southern meals with a healthy twist) and so are their attitudes toward life. Tate is as popular in the south as Regina and often their viewers’ demographics overlap but the two become enemies on sight. She thinks he’s a brute and he thinks she’s a princess. Sparks fly and the producers at The Cooking Channel ride on the heat wave to host a reality cook-off challenge for the position for their new network chef. What no one, including Regina and Tate, is prepared for though is that some of those sparks are caused by mutual attractions.

Experience: Deep Dish is something that I would refer to as a pretty good read. It’s not what I’d call award-winning literature but far as romance novel goes, it hits the spot and you can polish off and devour (pardon the food-pun) the whole thing in one sitting. Having said that, there are a couple of noteworthy positive things about the way Mary Kay Andrews went about writing the novel, starting with the setting and world-building.

There are some great contemporary romances out there with chefs as the main characters but rarely do they remain as true to the premise of the character’s career as Deep Dish did. In most cases, novels about chefs draw on the sexiness of heating it up in the kitchen with a passive-aggressive chemistry between the hero-heroine and leave it at that. Andrews did not take the shortcut. Instead, she thoroughly researched cooking show productions and sifted through her minefield of knowledge in Southern cooking (she has her own cookbook published) before sitting down to write the novel, allowing the reader to enjoy a very hands-on experience of the stresses of producing a TV program. We even get to pick up on a few recipes of wholesome Southern meals along the way. I loved the quirky addition at the end of the novel where a few choice Southern recipes were shared, apparently created by Regina and Tate themselves.

The world-building was also rather vivid and something I enjoyed a lot. It may be due to my personal preference for geography and maps but halfway through, the story takes you to this island in Georgia called Eutaw Island. Now I looked for it and there is a geological formation in Georgia of this name and a city as well though no island fit for human habitation. But Andrews beautifully illustrated this exotic location with beautiful wild and marine life and delicious local palate. I totally believed it might be a real place until Google told me she made it all up. As a writer, I can always appreciate such in-depth dive into the author’s imagination.

With regards to character development, obviously, it being a chick-lit, Regina’s character received more attention than Tate’s. I thought their passions and insecurities nicely complemented each other. She has a one-track mind about getting her canceled show onto The Cooking Channel; her adversary-and-romantic-interest is a gorgeous man-of-the-wilds who likes to catch what he cooks and does not have the same sophisticated taste as she. You can’t do much wrong with that; in fact, it’s great recipe for romance (sorry, I can’t seem to help myself here).

The rest of the characters equally complement the two MCs and plot. Her ex-boyfriend is a self-serving jerk with enough good looks to get away with it in most circles is using her to get the show running again; her sister is a college student with badass fashion sense who studies less and parties more; her close friend and makeup artist is a bald gay black man; the production people from The Cooking Channel have all the single ruthless attitude as her boyfriend but are at different stages of life; except the assistant producer who is a shoe-in for the secondary romantic plot opposite the sister is a man with a conscious that balances his boss’s lack of one. It was actually all very smoothly written in and I could appreciate the relatability. Although I would have to say none of the major or minor characters stepped too far out of their stereotype – except maybe the hero but this was not fully explored or explained.

Which brings me to the part of the novel that I could not completely see eye-to-eye on. I found it interesting that he was a single red-blooded heterosexual man with natural sex appeal had he would turn down a voluntary booty call from a hot female celebrity and I wanted an explanation. Especially when he showed the same prudence when another hot minor league celebrity (read heroine) offered the same. If Tate was turning down women up and down the southern states despite his hot celebrity status, there must have been a reason. Being one of the MCs, he deserved a little more backstory. And the thing is there was plenty of opportunities to build up the reader’s understanding of the character since Andrew used an omniscient POV in the novel. There are quite a number of times when Tate’s POV was tapped into and that could have been more productively utilized.

But the use of POV, in general, was another thing that I had difficulty aligning with an author of Andrew’s caliber. There were a number of scenes where the POV kept jumping from major to minor to major characters and I did not understand why that was necessary. If an alternate POV was absolutely necessary for a scene, it could have been broken down and presented in separate sections or reflected by the character in question on hindsight. The use of frequent POV-switching in these scenes, though were not haphazard enough to cause distractions or confuse the reader, created a sort of comic book effect – you know, where you have the dialogues in the speech bubbles followed by the fuzzy thought bubbles and then the off-panel comments about the actions? Like the narrator took the most advantage of his/her freedom to source the characters’ thoughts. I guess it was a technique Andrews used to speed up the plot and thankfully it did not injure the reading experience too much for me other than make me conscious of the flaw as a writer.

Recommendation: It was an enjoyable read. There were a few plot elements that reminded me of Welcome to Temptation (an absolute favorite re-read of mine) by Jennifer Crusie, such as the relationship between the sisters and the visit to a new location and video production crew, etc. so obviously I felt right at home with it. And it warms the heart as a straight cut contemporary romance novel. For another, it had great food culture and I have mentioned in a previous blog Books and Cravings They Inspire how much I love it when writers explore characters’ dietary dynamics. Personally, I’m looking forward to reading Andrew’s Homemade Sin.

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WRITING CHRONICLE #20: Of narrators and POVs

Via: Daily Prompt – Imaginary

hands-woman-apple-desk

I thought I would go back to the basics this week with a brief on the various types of narrators and POVs fiction writers employ. I have gotten my reading mojo back thanks to The Ex-Wife’s Survival Guide by Debby Holt (you can read my review here) and have been indulging heavily in my TBRs since. Needless to say, I have written very little in the meantime but it’s okay for once since I just published a book, yay. But the point is, I was reading a novel over the weekend and it made me reflect on how even established and traditionally-published authors sometimes get their POVs all mixed up. I pondered maybe it’s because once we become “mainstream”, we stop revising the guidebooks on creative writing, maybe we become complacent.

For me, keeping my POV on the straight and narrow is fundamental. Your story is the product of your imagination but that does not mean it does not deserve your full attention in selecting the right devices and techniques to make the storytelling impactful. And jumping POV-to-POV, and selecting different narrative styles in one book is a rookie mistake that should have been corrected during the editing process. So I hit the academic texts and Googled and brushed up on the subject because part of choosing the right narrative style and POV for your story is knowing all the options out there. I thought I’d share my notes with fellow writers here just in case there were others also needing to pace themselves.

Narrator – According to my ‘A’ Level textbook Literature, Criticism, and Style by Steven Croft and Helen Cross (Oxford), the narrative is “a piece of writing that tells a story”. So by means, the narrator is the person, animal, or object that is telling the story. This storyteller is inserted into the text most often as an imaginary entity separate from the author whether or not he/she is a character living within the story. In essence, it is the voice that describes what is happening.

Point of View (POV) – The POV is the perspective from which the narrator tells the story. Whether the narration is conducted from a singular POV or multiple, I have always felt that the POV breaks down and identifies the various components of the storyteller’s voice, i.e. the personality, style, tone of the narrator. It demonstrates to us the level of involvement with which the narrator relates the tale, how far into the story the narrator is willing to insert themselves.

While the narration and the POV are closely related and often overlap, the distinction is that the former is the device with which the plot is moved forward, the characters are revealed, the setting is built, etc., while the latter allows the reader to experience the story from the angle(s) that makes these various illustrated components relevant and relatable.

The most common forms of narrators are the first person, second person, third person limited, and third person omniscient. However, academicians have further broken down the types of narrators to include the [detached] observer or third person objective, commentator, and unreliable narrator. The following is a description of each of these major types of narrators with an example of popular works where they were successfully employed:  Read the rest of this entry »

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Wednesday Reflection #19 – The Ex-Wife’s Survival Guide by Debby Holt

51yq82nv1sl-_sx324_bo1204203200_Title     The Ex-Wife’s Survival Guide

Author     Debby Holt

Genre     Women’s Fiction, Chick-Lit

Publisher      Pocket Books

Publication Date      February 1, 2006

Format      Paperback

Setting     England

ISBN     1416502467

Synopsis: With her twin sons’ yearlong pre-college trip to India coming up, Sarah Stagg is finally ready to put up her feet and spend a little quality time with her actor-husband Andrew, star of their local theater. But Andrew has other ideas. He has been having an affair with his new co-star and soon moves out. Now, with the kids gone and the house empty, Sarah is experiencing an existential crisis. She spends her days waiting for her husband to realize his mistake and come home or wondering how she will spend the rest of her life alone if he doesn’t. Her best friend Miriam suggests she spends her time more productively by doing everything to prove she’s enjoying the independence – especially if Andrew is to find her desirable again – and pushes Sarah to join their town’s upcoming play, placing her at the scene of her husband’s crime. Suddenly Sarah finds herself cast as the female lead and the male lead Martin Chamberlain – an already divorcé with a cheating former spouse – becomes her closest confidante and comrade, and real-life savior too. Sarah’s life turns into a whirlwind of misadventures, between starring in the theater, adopting a psycho-dog bent on killing everything in the neighborhood, helping her neighbors spy on their husbands, and being whisked away to Majorca by her best friend where she enjoys a little fling with her college crush with a potential to relocate. The only problem is Sarah’s still too busy wavering between trying to reclaim her husband and finding solutions at an off-shore island to realize true love may be found in the most unexpected of person living closer to home than she realized.

Experience: It’s been a while but I really enjoyed reading this novel. Ever since I took up full-time writing, it has been really difficult for me appreciate works for the sheer pleasure of the entertainment but The Ex-Wife’s Survival Guide brought me home. It reminded me why I love reading and writing stories so much – for the sheer joy of living many lives. I could totally put myself in Sarah Stagg’s shoes and it was a pretty nice pair to boogie in.

It wasn’t so much that the characters were deeply explored. In fact, everything that took place was only observed from Sarah’s POV, and she is the type of character for whom the other shoe drops only in the distant future. But this aspect of her personality was so consistently pursued that I have to raise my hat to Holt for her patient custody of not revealing the plot to Sarah too soon. Rather, Sarah’s oblivious observations of her surrounding while keen perception into the characters of those with whom she is detached but taking close one’s for granted, all the while wincing and tiptoeing for things to only get worse, was hilariously adorable.

Moreover, Holt isn’t afraid to introduce a host of funny characters. As writers, we are always told to keep the character count limited to those absolutely necessary. Well, since Sarah is a neighborhood sort of gal, her many wacky neighbors are necessary. It is perhaps one of the reasons why no one’s but Sarah’s character is explored in depth. When you have the main character accidentally molesting priests, her maniac dog chewing up the town gossip’s guinea pig, your closest local pal trying to project her need to cheat onto her husband, and your best friend planning romantic getaways without her husband, it is difficult to dedicate much of the text to anyone but the main character. But on the whole, it worked out fine because they each helped to build up or reinforce Sarah’s own flaws and fitness.

However, there was one character I wish who deserved a little more than Sarah’s self-absorption. Martin was such a swell guy, I couldn’t but feel sorry for him. He was dependable and sweet and all things that would make most girls take him for granted, which is exactly what Sarah does throughout the book. But there were a few moments when his dependability and sweetness came out very masculine and I wish there was more of that. As far as the potential hero goes, I wish he stepped out of the shadows a little more and asserted himself. He was fully capable of it. For the sake of the plot, however, he was much sacrificed.

For the most part, the book shows that Sarah is a character to whom things happen rather than one who makes things happen. It wasn’t only being cheated on, but also all the mishaps that followed that were just a great way of preserving that Sarah Stagg had no control over her life. There was such a Bridget Jones appeal to her that made the reading fluent. Of course, as the story progresses, we see her attempting to take a bit more charge and stand up to – or at least try to stand up to – what is right, but she is essentially a pushover. Thankfully, not forever, which was hinted upon somewhere in the middle to keep the reader’s hope alive.

Recommendation: An excellent chick-lit that deserves to be read if you enjoy rom-com and women reclaiming girl power.

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WRITING CHRONICLES #19: nitty-gritty to watch out for when publishing

When writing fiction with the intention of reaping glory or sale, it is very important not to become overly simplistic about one’s passion for the act of writing. So you have a great story to tell, so it’s all you can think about, so the high will not be tamped until you have flushed the words onto some surface for later reading. But if you want others to feel even nearly as passionately about your work as you do, it is important to keep your eye on some of these following rules:

  1. Write a story that your audience wants to read not just the one you want to tell. A little compromise can take you a long way. You have built up your writing voice by reading up on a particular genre and know what you enjoy. Well, since the books you are reading sell, there are others with similar needs as yours. Invest in a little research to see what this audience is actually looking for when they pick up the same books as you do instead of relying on guesswork, imagining that your customers are just more of you. Hard data is a trouble worth the results they will get you.
  2. Be honest about what you are writing. I know, it seems to contradict the previous rule, because if you are writing to market to an audience, then how are you also writing the truth? Simple, if you don’t believe in it, don’t dish it. Writing exists on a truth-enhancement continuum. Find your place on this spectrum and go with it. One way to do this is by drafting your ideas, outlines, cluster passages/chapters before going into the research part. You have gotten the passionate bits recorded so now you may calm down and employ some cool calculation. Remember, if fiction writing was not a professional career, it wouldn’t have a whole gamut of systematic rules to getting published.
  3. Hit the nail with a strong opening. When readers are shopping for new books, whether at a brick-and-mortar or at a dot-com, a lot of them will flip the first few pages to see if they can connect with the content. This means they will go through the first chapter, poem, or what have you. Most online book retails also provide a “Look Inside” or similar preview tools to entice shoppers. Your opening scene can be a powerful marketing tool and you should make the most of it. I posted a blog on creating great First Impressions previously that you may wish to check out 🙂
  4. Add viable conflict. Interestingly, this is a point that requires mentioning because a lot of novel (as in, new) writers forget while in the throes of writing that even though the conflict must tempt the readers to turn pages, it must also match your character and plot personality. It’s all good when James Bond is flying through Bangkok in an airborne tuk-tuk but will this the way the good reverend would travel to deliver his Sunday sermons?
  5. Length does matter so it’s best not to prolong the conflict unnecessarily. Despite the fact that I hate when a good book comes to an end, I can appreciate that all good things must be enjoyed in moderation. Adding conflict after conflict, dishy scenes after dishy scenes might be enjoyable to you but will probably diminish the value of your book. When outlining your story, make sure you always keep the scenes and chapters you add remain true to why you are telling that particular story. Nip anything irrelevant when you edit. This is especially true with today’s readers who have endless TBRs to get to.
  6. Don’t info dump on your readers. Again, just because you put in all that effort into your research, doesn’t mean you keep looking for ways to pass on all that you learned while writing. The entire chronicles of Queen Mary’s rivalry with Queen Elizabeth I is probably irrelevant in a historical romance novel about a lowly girl marrying a duke just because the setting is 16th century England.
  7. Finally, write a good blurb. No one knows the story better than you – yet, most authors have a difficult time arranging a summary that emotively allures readers to their novels while not giving away the end. Authors, by nature, tend to bounce back and forth between a state of self-importance and diffidence. Even before reading the first chapter, your audience will judge you by the synopsis on the back of your book jacket. It doesn’t matter how epic your story is, before the word-of-mouth goes viral, you will have to rely on those first few readers. And unless you are able to convince them with a blaring announcement selling them why your story is worth spending a day of their life on, your book will probably languish on their shelves for eternity. When writing the blurb, put yourself in a book reviewer’s shoes and make sure you remember to add that very valuable conflict that makes the story important. It took me only about a hundred try to get my blurb for Bad Daughter to satisfy me, and let me tell you, it looks a lot different from the original blurb I had posted on Amazon. It currently reads like this:

BAD DAUGHTERWhat would you do if you were taught that the price of safety is silence?
At the age of six years, Obaira Osman was sexually abused by her uncle, the memory of which she manages to keep buried for a decade. At sixteen, she is a dedicated daughter, loving sister, and an ideal student. When she wins a national essay writing competition and finds herself wooed by the most handsome and intelligent boy in school, life seems like it couldn’t get any better – even if cultural constraints demand she keeps her love affair a secret. However, after a planned rendezvous, which should have been a simple rite of passage, goes awry, Obaira’s memory of a terrifying past comes crashing around her and she realizes she has been far from being the perfect daughter. Her response is to shackle herself to the rules and regulations of her home environment in order to reclaim the safety she once knew to be true.

What if you one day realized that the cost of silence is freedom?
Over the next two decades, she finds herself atoning for the burden of shame that is her legacy. She attempts to earn back her parents’ faith even while trying to find peace by lending a voice to women who have been crushed by similar forms of abuse – much to her conservative parents’ chagrin. But she is kinder to the women she helps than to herself, as she remains unwilling to accept a second chance when fate takes her across the world to the doorstep of the man who just may be the one to emancipate her tortured soul.

I’m sure there are about a thousand other rules to keep on the lookout when writing fictions to sell, but these seem to be some common mistakes authors make. I know, I am guilty of at least half of them 😐

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WEDNESDAY REFLECTION #18: free! free! free!

Via: Daily Prompt – Survive

FREE EBOOK SATURDAY

Image Designed on Canva

You must be wondering why I’m posting my Wednesday Reflection on a Thursday night-Friday morning. Yes, that is indeed how long I reflected on this issue. And I have decided that this week, instead of reviewing works of others, I shall engage in shameless self-promotion and request review for my own work. After all, it’s been a whole week since Bad Daughter was published via Kindle Select and all the factors – starting from being an unrecognized self-published author to trying to advertise online using the rigidly controlled monetary outflow imposed by Bangladesh Bank to having my book initially under lockdown to appear only on Amazon UK – have cast my book into the pit of obscurity in the reader’s market. Tinkering all day on Facebook Ad Manager to only receive continuous “your ad has not been approved” e-mails (tell me, what is wrong with the above creative?) has not been a ball of laughs either. So I return to my one outpost of comfort, WordPress. A girl has to survive somehow…

I’m sorry to be in such a choleric mood tonight but choleric I am. I went to the bank twice this week in order to get my dollars endorsed so I can run some campaigns on Facebook and Twitter. When I finally returned home successful, I was primed to conquer the world of social media engagement, believing my years of honed marketing communications skills would, at last, come into use for my own product. I had spent all of 2015 and most of 2016 running pre-opening launch campaigns and post-opening promotions for a global chain hotel online so I though this should be as easy as 1-2-3. Not so. My ad, as mentioned above, has been rejected by FB numerous times and all the feedback I receive is a vague “does not meet the Ad Policy Guidelines”. No direction as to which policy it violates. I have tried changing everything from the creative to the target audience to the objectives… it just does not stick. And always the same vague feedback, even upon appeal. With Twitter, I can’t even seem to upload all the information properly before the page routes to error. All this has made me wonder if I am a total web illiterate. In which case, how the hell did I manage a quarter of a million dollars in PR earnings and Social Media engagements for our hotel’s grand launch campaign in 2015?

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Image: Bidinotto

Which brings me to the reason why I was trying to run ad campaigns on Facebook and Twitter. I realize it’s a bit like putting the cart before the horse but I finally have planned out a marketing schedule to campaign my book. My first objective is to simply get people to read and review it. So I have set up a Free eBook Download promotion for this Saturday and Sunday (to run according to Pacific Standard Time) on Amazon. The links to my book (by market) are provided at the bottom of this post and all a reader needs to do is download the eBook and read it via Kindle App, which is available for free on iOS, Android, PC, and Mac. The image to the right says “Buy My Book…” but, this Saturday, purchase is not even necessary. All I’m requesting people at this point is download it for free, read it at your leisure, and if you think it’s worth a review, please return to Amazon and leave a couple of words. Do I sound desperate? Well, it’s because I’m feeling pretty desperate. You might be thinking I’m losing it too soon but my frustration reaps from the deluge of technical difficulties I’m facing. Because, you know, even if I don’t get stellar reviews, it would still mean people read it.

The good news is, at least the Free eBook Download is scheduled for the weekend. Nothing can go wrong there anymore, right? Knock on wood.

Links to download Bad Daughter by Region:

Amazon UK

Amazon Australia

Amazon Brazil

Amazon Canada

Amazon France

Amazon Germany

Amazon India

Amazon Italy

Amazon Japan

Amazon Mexico

Amazon Netherlands

Amazon Spain

And yes, I’m still waiting for the book to become purchasable in the USA, even though I re-selected the country as the primary market.

Update: It’s finally on Amazon US, yay!

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WRITING CHRONICLE #18: A note on Contest Submission & other accomplishments

Via: Daily Prompt – Unmoored

 

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So Friday I finally submitted my story for the Amazon UK Kindle Storytelling contest, as I had mentioned in last month’s blog. My planned 20K-word novelette turned into a 34,480-word project. You must be thinking, ooh… an editing crisis, right? Not so much, I hope. I kept everything that was relevant to get the story to the finish. I stuck to the plot outline, scripted only the scenes necessary to develop my characters, and did not embellish on the descriptive narratives. I stayed 100% flourish-free. At least, I tried.

This is how I can break down my work on this submission:  Read the rest of this entry »

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#AuthorToolboxBlogHop 02: First Impressions

Last week, in the 17th installation of my Writing Chronicles, I discussed the various ways to “Punish Your Protagonist“. I thought this week, I would make up for it by talking about how to Save the First Chapter.

Wherever you look, literary agents and editors impart a few golden rules: research the agent/editor before you submit your query, provide an economic-yet-comprehensive synopsis of your story in the cover letter, and make sure your manuscript is ready when you send in those first three chapters. In other words, try not to waste this rare opportunity to be read by a professional. Your book’s opening will decide if your story gets picked or tossed.

Getting the first chapter wrong is a piece of cake. We’re writers – an absentminded-yet-observant breed riddled with insecurities throughout our creative process and beyond. Even when we get the story right, we know it could have been better. It can always be better. But with a few simple precautions, that first chapter can be GOOD. What is better than good?

Here’s my two-cents’ worth to a workable first chapter:  Read the rest of this entry »

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