Posts Tagged characterization
Andy clipped her client on the chin, forcing him to throw his head back with the blow. Next, she got down on her haunches and threw one leg out, swiveling it to push her client’s legs out from beneath him. All six-feet-three-inches and two hundred pounds of him came crashing down with an outraged gasp on the boxing ring bed, making her jump up to regain her footing as the structure quivered all around them. Grinning down at Bob around her mouthguard, she prepared herself to face his rebuke. However, he seemed less than inclined to satisfy her irritable mood today.
Bob groaned into a sitting position and rested his elbows on his upraised knees. Spitting out his mouthguard into a gloved fist, he leveled his resigned moss-green eyes up at her. “That must’ve been some meeting you had with your old man yesterday,” was all he commented.
Andy spat out her own mouthguard, disgusted by his consoling tone. She was itching for a thrash-out and he was refusing to take the bait. What must a gal do around here to get an able and willing male opponent in the ring? “Meetings with my dad are nothing if not out of the ordinary. You should know that by now.”
Bob grunted non-committally. He pushed himself off the bed with the sheer strength of his legs alone, his calf muscles bunching and releasing with the effort. Andy tried not to gulp audibly. Her pelvic floor muscles, however, she thought she heard squeak with yearning. Not that she would respond to such yearnings; Bob was her client, after all. Read the rest of this entry »
“Hi, Dad.” Andy stared into a pair of eyes identical to hers in more ways than just the shade of larkspur and hooded lids. They matched her discomfort too. “Can I come in?”
He shrugged and walked away from the open door to his condo. Andy walked into his Florida home for the first time, closing the door behind her as she tried to rein in her curiosity. Driving up to the complex, walking through the grounds and lobby, riding up the designer scented elevator, she had been amazed by the glamor and upkeep of the property. The inside of her father’s apartment, however, suited more with his lifelong philosophy.
There was something called minimalism and then there was how Allen Tybalt lived.
Growing up with an austere man such as Allen had been challenging every step of the way. His job had their family moving a lot. Even though he was always away for on-site projects, Andy and her mother had to keep accompanying him to new cities every couple of years because Allen insisted that they live as a unit.
Allen had been a power plant engineer, the best in his field apparently. He earned a sack full of salary every month but never allowed Andy’s mother to decorate their myriad of residence as she wanted. Whenever her mother proposed the idea to buy something for their home, Allen would insist the venture unnecessary since they would have to move again anyway. That a family subjected to as many location transfers as theirs be unencumbered by possessions was perfectly logical so her mother never argued. Besides, few people won an argument with Allen.
It was just as well because Andy’s mother died in a road accident when Andy was just twelve years old so she doubted her mother would have gotten much time to enjoy a fully decorated home.
“You have a nice setup here, Dad,” Andy now said, looking around. “Suits you.” Actually, upon closer look, the furniture did appear to be very vogue even if sparse. “I’m not sure how easy it will be to pack the Zeng Fanzhi painting if you decide to move,” she added, staring at the article in question hanging over the long blue crushed velvet couch.
“I hide the money behind that. Besides, I won’t be needing it where I’m going next,” Allen grumbled. Read the rest of this entry »
Today, a friend of mine was hashing over a story idea with me for a novel he wishes to write in the near future. Without giving away much of anything, there’s a part where the protagonist, after facing a tragic defeat in love, begins to imagine various alternate scenarios where he might come off as the winner. While the protagonist is aware that these various attempts to change his fate are imagined, he is unable to distance himself from the illusions. I, in my turn, threw in Dumbledore’s dialogue from the King’s Cross scene in Harry Potter and the Deathly Hallows, “Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”
Dead silence followed this ejaculation from the other end of the line. My friend has not read the HP books and, if he has seen the movies, it was probably without much reflection. I try not to hold this against him.
I went on to explain to him, “Perception is reality. How you perceive things adds to your experiences, which is what shapes you. If your character should imagine various alternate scenarios in search for romantic success and continue to fail, can it not add to his growth even if the incidents didn’t really happen?”
He seemed to like the concept very much and we discussed it further. I mentioned to him the Wickham-Darcy controversy in Pride and Prejudice [another classic he has not read but I don’t complain] and described the scene where Elizabeth reads Darcy’s letter, discovers Wickham’s true nature, and realizes what a gross error in judgment she has made. And her epiphany is not in the clarity she receives in finally learning what a villain Wickham is but in learning her own failing. That she had let a bruised ego direct her away from properly assessing Wickham’s abuse of Darcy. That her pride in the ability to discern the characters of others was not as deserved as she had assumed.
“But the crux of this conflict is,” I explained to my friend with the level of excitement I always feel when discussing Austen’s works, “if Elizabeth had not initially got her evaluation of Darcy so wrong, would she have learned to appreciate his goodness as strongly as she did later? Maybe if she perceived reality correctly the first time – if she had always known the truth – he would be just another rude guy but who has his heart in the right place? Maybe reality alone was not enough to make her fall in love with him? She needed to experience the lie to become fit to love him. Maybe sometimes a character needs to experience the lie in order to appreciate the truth. The unreal in the now can contribute to creating a desired reality for a later period.”
Hah! Now I’m counseling others on writing. Go figure.
I recently came to learn that most of my fellow writers pick characters off real life. They sit around in coffee shops and roadside bistros, watching their neighbors and making up stories about them. This practice is, apparently, more common than when you watch TV on mute and try to feed dialogues to the people on the screen. Mind blowing, right? I always wondered how writers felt so comfortable tapping away at the keyboard in coffee shops. Turns out, they are really just describing their surroundings. Not a bad writing tip, I thought. Should speed up the process of character creation some.
My characters come completely out of my head – just as my stories come to me when a real life situation strikes me as though it didn’t pan out the way they should have. So I try to “fix” things, albeit in fiction, where my muddled heroes and heroines stumble around until they learn “the right way” of living. I’m a big fan of justice, and when justice is not to be found in the real world, I make up worlds of my own. I’m really a very balanced person.
The problem is if my characters come right out of my head, how do I allow them to become independent of who I am? When I already know the way I want my characters to behave at the end (to serve the moral I wish to convey), how do I let their journey become independent of mine? Also, it would be a terrible bore if every character turned out to be an extension of me. Read the rest of this entry »
There’s a loaded word. I always felt that nuances exist on the precipice of stereotypes. You take the expectations cultural dogmas have conditioned in you and add a little something-something. Voila! You have nuanced characters for your stories. Personally, I use the following template to guide me when creating my characters. This should help a few writers.
Recently I read a blog on why heroes need to be imperfect men to keep the energy of novels alive and realized that, while focusing greatly on adding and resolving the conflicts of the heroine in one of my stories, I may have done the hero a disservice. I may have made my hero lukewarm. So I did what I usually do these days when faced with a fiction writing conundrum – I turned to my online coursemates. The feedback was split into two schools of thoughts. Read the rest of this entry »