Posts Tagged good storytelling
In my twentieth installation of WRITING CHRONICLES, I went into great details about the various types of narrators and POVs that may be used in storytelling. A perusal will tell you that jumping POVs in the middle of scenes is one of my pet peeves. Of course, a scene may be told from the perspective of different characters but there are proper etiquettes to these things. When you are having a conversation with someone, how much would you enjoy being interrupted by the other person while talking? Or worse, if a third party straggler just decided to insert themselves into your discussion midway? The narrator and the reader develop a bond over the course of a story that requires similar decorum. Each character must wait their turn to have their say. Read the rest of this entry »
Title The Ex-Wife’s Survival Guide
Author Debby Holt
Genre Women’s Fiction, Chick-Lit
Publisher Pocket Books
Publication Date February 1, 2006
Synopsis: With her twin sons’ yearlong pre-college trip to India coming up, Sarah Stagg is finally ready to put up her feet and spend a little quality time with her actor-husband Andrew, star of their local theater. But Andrew has other ideas. He has been having an affair with his new co-star and soon moves out. Now, with the kids gone and the house empty, Sarah is experiencing an existential crisis. She spends her days waiting for her husband to realize his mistake and come home or wondering how she will spend the rest of her life alone if he doesn’t. Her best friend Miriam suggests she spends her time more productively by doing everything to prove she’s enjoying the independence – especially if Andrew is to find her desirable again – and pushes Sarah to join their town’s upcoming play, placing her at the scene of her husband’s crime. Suddenly Sarah finds herself cast as the female lead and the male lead Martin Chamberlain – an already divorcé with a cheating former spouse – becomes her closest confidante and comrade, and real-life savior too. Sarah’s life turns into a whirlwind of misadventures, between starring in the theater, adopting a psycho-dog bent on killing everything in the neighborhood, helping her neighbors spy on their husbands, and being whisked away to Majorca by her best friend where she enjoys a little fling with her college crush with a potential to relocate. The only problem is Sarah’s still too busy wavering between trying to reclaim her husband and finding solutions at an off-shore island to realize true love may be found in the most unexpected of person living closer to home than she realized.
Experience: It’s been a while but I really enjoyed reading this novel. Ever since I took up full-time writing, it has been really difficult for me appreciate works for the sheer pleasure of the entertainment but The Ex-Wife’s Survival Guide brought me home. It reminded me why I love reading and writing stories so much – for the sheer joy of living many lives. I could totally put myself in Sarah Stagg’s shoes and it was a pretty nice pair to boogie in.
It wasn’t so much that the characters were deeply explored. In fact, everything that took place was only observed from Sarah’s POV, and she is the type of character for whom the other shoe drops only in the distant future. But this aspect of her personality was so consistently pursued that I have to raise my hat to Holt for her patient custody of not revealing the plot to Sarah too soon. Rather, Sarah’s oblivious observations of her surrounding while keen perception into the characters of those with whom she is detached but taking close one’s for granted, all the while wincing and tiptoeing for things to only get worse, was hilariously adorable.
Moreover, Holt isn’t afraid to introduce a host of funny characters. As writers, we are always told to keep the character count limited to those absolutely necessary. Well, since Sarah is a neighborhood sort of gal, her many wacky neighbors are necessary. It is perhaps one of the reasons why no one’s but Sarah’s character is explored in depth. When you have the main character accidentally molesting priests, her maniac dog chewing up the town gossip’s guinea pig, your closest local pal trying to project her need to cheat onto her husband, and your best friend planning romantic getaways without her husband, it is difficult to dedicate much of the text to anyone but the main character. But on the whole, it worked out fine because they each helped to build up or reinforce Sarah’s own flaws and fitness.
However, there was one character I wish who deserved a little more than Sarah’s self-absorption. Martin was such a swell guy, I couldn’t but feel sorry for him. He was dependable and sweet and all things that would make most girls take him for granted, which is exactly what Sarah does throughout the book. But there were a few moments when his dependability and sweetness came out very masculine and I wish there was more of that. As far as the potential hero goes, I wish he stepped out of the shadows a little more and asserted himself. He was fully capable of it. For the sake of the plot, however, he was much sacrificed.
For the most part, the book shows that Sarah is a character to whom things happen rather than one who makes things happen. It wasn’t only being cheated on, but also all the mishaps that followed that were just a great way of preserving that Sarah Stagg had no control over her life. There was such a Bridget Jones appeal to her that made the reading fluent. Of course, as the story progresses, we see her attempting to take a bit more charge and stand up to – or at least try to stand up to – what is right, but she is essentially a pushover. Thankfully, not forever, which was hinted upon somewhere in the middle to keep the reader’s hope alive.
Recommendation: An excellent chick-lit that deserves to be read if you enjoy rom-com and women reclaiming girl power.
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