Posts Tagged Novel
Title Something About You
Series FBI/US Attorney #01
Author Julie James
Genre Contemporary Romance | Romantic Suspense
Publication Date March 2nd 2010
Setting Chicago, Illinois, USA
Synopsis: When Assistant U.S. Attorney Cameron Lynde checks into an upscale hotel for the weekend as the newly tiled floors in her house dries, she expects a peaceful night’s sleep. Instead, she finds herself kept awake by very noisy copulation by the guests next door. But calling in security on the lovers lands Cameron as a key witness for a murder case – a case that involves a dead escort, a philandering Senate, and Cameron’s nemesis FBI Agent Jack Pallas. Three years ago, Cameron and Jack had a falling out when Cameron was made to axe a case for which Jack had worked undercover and been tortured. Not knowing that the decision to shut down the case was Cameron’s boss’s idea, Jack had slandered Cameron on national TV. With no love lost between them, Cameron is reluctant to work with Jack but her sense of duty has her cooperating. She is put under police surveillance when they discover the Senate did not commit the murder and the real murderer is a faceless man at large. Though most of the surveillance work is handled by the CPD, Cameron and Jack are thrown together more often than they desire since he is the lead investigator. Tension mounts as they continue to bait each other at every encounter but their raw sexual attraction is also undeniable. And then the murderer appears masked in her house one night and Jack enlists himself to act as her live-in bodyguard.
Experience: I’ll admit, the humor in opening scene of this novel was very forced. The loud headboard banging from the next guest room occupied half of it and I thought a bit unnecessary to prolong. But luckily, the book then took a very positive turn and I LOVED IT! In fact, I loved it enough to breeze through the rest of the series and found that James sustains her ability to hold me as a reader.
It was a feel-good romance, which is what got me into writing romances in the first place. Both the heroine and the hero were solid individuals that I could like and become friends with if they were real people. There were some great tête-e-tête between Cameron and Jack that made me laugh outloud (or at least sport a goofy smile in public). And I really admire how James generally makes her female characters such women of the world, professionally successful and settled, and the men so driven. That the men are so mucho doesn’t hurt either but I appreciated that their moral radar is so intact even more.
Yet, they are not without imperfections. I admired how Cameron travelled with a whole case of cosmetics to make herself presentable or that she put on makeup after a shower even if she was staying in. This made her more real, more accessible to the contemporary women of our generation. James broke the mold of gorgeous romance heroine who look shiny and brand new even when they wake up in the back alley of a seedy bar after passing out from participating in a night of drunken carousel – not that traditional romance heroines would participate in such activities. The supporting characters are equally charming, with men owning up to watching chick flicks and having heart-to-hearts even while the hero tries to remain alpha though with twitchy smiles. Stereotypes, be damned.
Julie James also has gone intersectional with her romance. In fact, all of the books in the series had people of color, different faiths, sexual orientations, etc. who were NOT put in negative roles. And since the books were written in the pre-Trump campaign era, I would have to say James demonstrates a lot of foresight by portraying the true face of America today. It wasn’t that she was blaring her endorsement of tolerance but had the presence of mind to not white wash all her characters. In Something About You, Cameron’s best friend is a homosexual man who is a sports writer and Jack’s partner is a heterosexual African American man top cadet from Harvard who dresses like a fashionista and is unabashedly in touch with his feminine side. Again, out with the stereotypes.
The plot was totally plausible and there wasn’t too much hullaballoo over the setting to draw attention away from the matter at hand – the blooming romance between two professional adversaries. But the one thing that I thought could have turned out better is the element of surprise. For a romantic suspense, there wasn’t much suspense. In fact, reader is introduced to the murdered from act one, name, role, and POV. We are informed why he committed the crime, we are exposed to his moral sense, and we are hinted on what his next move will be. The only thing left to do was read how it all pans out. In essence, the suspense belonged to the characters within the story and not for the readers to work through. But I actually understood why James did not sweat over arranging the scenes in the novel in a way that bolstered the mystery. Despite being a murder mystery, the main motivator for the story is romance. And when all things are said and done, for a reader of romance, that is okay too.
Recommendation: I recommend reading the entire series, even though I am not reviewing all of it. If you love contemporary romance that stays true to the modern society, this book is a great read.
Recently I read a blog on why heroes need to be imperfect men to keep the energy of novels alive and realized that, while focusing greatly on adding and resolving the conflicts of the heroine in one of my stories, I may have done the hero a disservice. I may have made my hero lukewarm. So I did what I usually do these days when faced with a fiction writing conundrum – I turned to my online coursemates. The feedback was split into two schools of thoughts. Read the rest of this entry »
Via: Daily Prompt – Craft
I started writing my first novel while waiting for my ‘O’ level results. The four-month leisure period was ample time for story ideas to formulate in my head so I picked one and ran with it. I had nothing to guide me back then apart from the novels I was reading. This was a time before blogs were popular and MOOCs even existed. Unlike today, there were no resources available – without registering into a paid course – to train me for the craft I loved so much. I was winging it all the way through. Halfway into my prologue, I realized I had a plot but needed backstories for my main characters. Their sizes and shapes were clear but who they were as individuals still obscure. Hence, the research began. Read the rest of this entry »
Title Lola and the Boy Next Door
Series Anna and the French Kiss #02
Author Stephanie Perkins
Genre Young Adult Romance
Publisher Dutton Books
Publication Date September 29, 2011
Synopsis: Lola Nolan is an aspiring fashion designer with grand, over-the-top concepts that sort of define her personality. She is also a good daughter, a good enough student to keep her parents satisfied, a good friend most of the time, a fairly good employee at the movie theater where she works part-time and a pretty good girlfriend to keep her rocker boyfriend Max interested. Too bad her love interest does not fully suit the rest of her world. But Lola gets by juggling between Max and all her other responsibilities. Until the dreaded Bell twins return to the neighborhood and Cricket Bell is once again brought to the forefront of her life, throwing her emotions and life into chaos. Her childhood friends Calliope and Cricket had transformed into two divergent roles in Lola’s life as they all grew up next door to each other. While national ice skater Calliope lost interest in Lola and saw her as a nemesis there to steal her twin brother’s attention away, boy-inventor Cricket became Lola’s lifetime crush. Thankfully, they were rarely around and Lola thought she grew out of her feelings for Cricket when the Bells moved away to pursue Calliope’s career. And she also had Max… But as the Bells move back in next door, Lola is compelled to wonder the accuracy of her self-assessments.
The following section may contain some spoilers…
Experience: I loved this book and I am going to just dive into it. Despite the title more or less giving away the ending (either Lola will leave her present boyfriend for the boy next door or fumble with her feelings for the boy next door and return to her boyfriend), it is truly one of those journey-through-the-plot kind of novel and it is even more ripe with unfolding revelations because of the way Stephanie Perkins used her trademark first-person POV to reach each movement of Lola’s character development. The series of events that occur in Lola’s life, how she deals with each in the present either in reflection of her future aspirations as well as her past experiences kept me on edge. It was not very difficult to guess which ending the book will reach after reading a few chapters but it was very, very important to see how Lola would reach that conclusion all the same. Her reactions kept the suspense alive and the plot churning. And it was very interesting how Perkins managed to blend the character arc as a response to the plot conflict, which by the way was truly plot-driven and not just something the character built up in the protagonist’s head.
Moreover, as Lola transforms in the book, through her viewpoint, we also see this kaleidoscope of other very relevant characters transform, or rather their true natures reveal themselves. In fact, what makes Lola… the book so great is that Lola wouldn’t be Lola if it weren’t for the people in her life. Her parents support her career aspirations and this is an important aspect of Lola, who is really one of the most colorful characters I have come across in years. I kept imagining a butterfly with beautiful sparkly wings but one that could just as easily become a gray moth. And while her fashion sense made her a misfit in school, it’s also sort of okay because she has a great supportive best friend with whom she not only shares couture related traditions but who is also able to sanction Lola’s love affair with Max despite not being able to get along with Max herself.
Which brings us to the romantic conflicts. Max is obviously in a relationship with Lola because he is intrigued and attracted by her creative sense. But at the same time, it’s her quirky outfits that sort of niggle on him too, though he tries to claim that it is really her secretive ways. But this suggests Lola, who is all about expressing herself through her fashion, is really hiding from him because she is not fully sure of herself. An abject contrast to her relationship with Cricket, with whom she seems unable to hide anything about herself at all. Meanwhile, Cricket, as an inventor, actually feeds Lola’s aspirations with tangible contributions. Yet, she cannot consciously accept herself to be in his company because of their past conflicts. Honesty in relationships as well as with oneself is definitely a key theme of this novel. But then, the contrast between Max and Cricket is not only explored by Lola’s reaction to each love interest but also by through the interactions each possible hero has with the important people in Lola’s life. Despite the superficial similarities between Max and Cricket (creative, attractive, somewhat successful and with unique dress sense), the people Lola’s life respond differently to each.
In all this, enters Lola’s former drug addict and somewhat dissolute birth mother with whom she cannot abide and who is again living in her house and making life uncomfortable for everyone, another potential angle for Lola’s growth and self-acceptance. And even Anna and St. Clair, the wonderful heroine and hero from Anna and the French Kiss (first of the series), make appearances to further confuse Lola with their extremely adorable and heartwarmingly cohesive relationship by providing a contrast with her own relationship with Max while throwing her more frequently into Cricket’s path.
Really, with so many people so greatly invested in her life, how can a girl, who is simply trying to keep her boyfriend happy and not get involved with a former-present crush with all the seeming ability to devastate her again, not get confused? But, just as an aside, I would love to have as many creative and crazy people in my life even if they were a bit meddlesome.
Before I finish this review, I must also put in a word for Perkins’s method of world building in this novel. While in Anna…, Perkins spent long beautifully written passages describing Paris through Anna’s eyes, in Lola… she better employs her narrative genius to create individual settings to develop the reader’s sense of each character. Because, again, for Lola, all these people are essential. Perkins delves greatly into helping readers visualize Lola’s and Cricket’s bedrooms, her baker dad’s kitchen, Max’s apartment, even the living room where Lola’s mom moves in and transforms, each space an extension of the characters’ personalities and each a setting where some significant scenes of the novel unfold.
Last but not least, I always love Perkin’s name selection. Lola and Cricket, gotta love it!