Posts Tagged Young Adult
Title Pretty in Pink
Starring Molly Ringwald, Andrew McCarthy & Jon Cryer
Director Howard Deutch
Writer(s) John Hughes
Genre Romantic Comedy Drama
Release Date February 28, 1986
Filming Location LA, California, USA
Parental Guidance PG-13 for thematic smoking
IMDB Rating 6.8
Synopsis: Ever since Andie Walsh’s (Molly Ringwald) mother skipped out on the family, Andie has been busy working at a strip mall record store to keep house for her heartbroken and unemployed father Jack (Harry Dean Stanton), i.e. when she’s not already at school striving to remain on the honor roll. She is generally admired by the faculty and her employer Iona (Annie Potts) alike for the level of commitment she demonstrates in all her undertakings. However, this goodwill is not shared by the more affluent “richie” kids in school, namely Benny Hanson (Kate Vernon) and her boyfriend Steff McKee (James Spader), who take great joy in bullying Andie and her friends for their humbler lifestyle. Prom is coming up but Andie has no time to worry about attending, especially since she hasn’t been asked yet. Andie’s best friend “Duckie” Dale (Jon Cryer) is in love with her but Andie is oblivious to the nature of his “devotion” as he lacks solemnity in his professions of love. When one of the richies Blane McDonough (Andrew McCarthy) begins to show his interest towards Andie, often finding reasons to catch up with her at the record store or school, Andie reluctantly reciprocates, unsure whether dating a rich kid would be advisable. However, with a gentle nudge from Iona, Andie begins dating him and, when he asks, ecstatically agrees to go with him to the prom. Duckie is livid, seeing their relationship as a form of betrayal, and issues an ultimatum. Blane’s own friends, in particular Steff, too object to the union. Steff, who once himself tried and failed to conquer Andie’s “favors”, reminds Blane that not only will Blane be rejected by his society but asks if he’s willing to put Andie through his parents’ ridicule. Blane withstands the peer-pressure with less aplomb than Andie and their fledgling relationship seems to dive before even taking a proper flight.
Experience: Amazingly, I did not see this classic rom-com until this week. For one, when the movie was released, I was all of four years old. And B, there was never any occasion to before since plenty of romantic comedies were released annually to occupy my time since the days I turned a teen and was allowed to watch movies with smooching in them. But have you noticed how few and far between rom-coms have become lately? Yeah! Apparently, the audience doesn’t pay for romantic movies anymore. In fact, I recently read in a review of this one chick-flick version of Harold & Kumar… that made a statement to that fact. How rude! But I need my regular fix of the romantics and while The Hallmark Channel tries diligently to keep me in supply, those flicks lack a bit of variety, don’t they?
So Pretty in Pink! I liked it even though I think I have grown out of it a bit. I think I would have loved it when I was younger and such teen angst actually would seem like a do-or-die crisis. At this point in time of my life, I was like, “Chuck Duckie and chuck Blane! You can do better, Andie!” In fact, I thought Steff was someone I could work with [yes, I do have a bit of a taste for the bad boys] – you know? Save? I saw a lot of anguish in Steff, the abandoned rich boy who bullies others to make himself feel more important. Oh, yes! Andie the-good-girl could have totally saved his soul. But I’m getting ahead of myself and prattling about that which DID NOT happen in the movie.
Yet, the premise of the story was Andie handles her various romantic options: there was her wacky best friend, the kind-hearted-but-confused rich boy, and the self-assured web-spinning kingpin of haut monde. Which will she end up with? We watch as the Andie tries to find a balance between the world she is accustomed to and the “inside” world where she is invited. But the aspect of this movie that makes Andie such a special girl isn’t her ethereal red-headed sweet looks, her off-the-track fashion sense (all designed by her, by the way), or her great taste in music; it is the fact that even in the middle of her greatest predicaments, she is never dishonest with herself. Andie has a mind for speaking only the truth. She knows exactly what she wants and she is never afraid to let it be known. She does not allow Steff, Duckie, or even Blane talk her into doing what she doesn’t want to do. The way I see it, this movie was a feminist movement all unto itself, and I can only imagine how necessary for the adolescent girls of the 80’s, nay, even now. Even though many of the thematic angles of the story were a bit dated (I mean, I would never have been caught dead in all that lace and rhinestones though Andie’s style became iconic), I would give this movie all the stars in IMDB for holding steadfast to the stance that girls can risk swimming against the current and still get what they want if they only set their mind to it. And that getting the guy is NOT more important than being true to oneself.
Another aspect of the movie that really stood out for me was how writer John Hughes showcased “youth”. As movie aficionados may be aware, Pretty in Pink was only one among a lineup of teenage-angst movies that Hughes had written-directed to great success and followed Sixteen Candles and The Breakfast Club, both of which Ringwald also starred. However, unlike the doe-eyed timid Samantha of Sixteen Candles or the snobbish Claire of The Breakfast Club, Andie has both her feet planted firmly on the ground and, perhaps, is more adult than even her father. She is able to demand if necessary but with humility, provide solace with a bit of sternness, and even learns to let go at times to let fate take its course. And while we watch all the clichéd and prepossessed rules still prevail over her life and the lives of her peers, guiding how they behave and accept themselves, we watch Andie, 18 and on the cusp of graduating from high school, ready to break free and find independence. At the same time, we see a very self-sufficient daughter who never complains about having to be the adult, opening up to her father to ask him to give her a chance to be a kid and the father acknowledging his culpabilities in denying her the opportunity of a youthful existence. As Iona [who happens to be my favorite character in the movie and, frankly speaking, the best dressed] so poignantly and truthfully summarizes, “Oh, why can’t we start old and get younger?”
Recommendation: This is a must-see movie for teenagers everywhere, boys included. While the ladies would probably enjoy it a bit more, and I imagine there would be a few eye-rolls from the male side of the audience, there is still a lot to be learned for both parties in their youth and a few reminders for the older crowds too.
Via: Daily Prompt – Juicy
Whispers trailed her all day, fire licking at her ankles. She felt the heat of the eyes boring into the back of her skull. Mostly hostile glares – those would be from her fellow female students. There were some appreciative glances, too, from boys who suddenly conformed their minds to the idea that she wasn’t so homely after all. LJ smiled ruefully to herself but could not blame them for their curiosity. She was the juiciest piece of gossip to hit Carson High in months.
This story picks up from a piece, Crush, I wrote previously. Though it may be read as a stand-alone, you might want to read the earlier installation before proceeding. Or…
Read the rest of this entry »
Via: Daily Prompt – Heard
I heard he sang a good song,
I heard he had a style,
And so I came to see him
and listen for a while.
And there he was this young boy,
a stranger to my eyes.
Startled by the shout, LJ gasped mid-inhale while preparing to belt out the chorus. She spun around to find the young boy in her rendition of “Killing Me Softly” come out of the backstage and cross over to the center where she stood. As always, Juan loomed taller and taller as the distance fell away. When he was standing even with her, she had to crane her neck to look up at his face.
And what a beautiful face he had – all fine brows, crystal blue eyes edged with dark lashes, classic straight nose, and firm mouth arranged amid the strong panes of his golden forehead, pink cheeks, and fissured chin. He looked like a cherub gracefully transforming into a man.
LJ watched his grin move and realized he was speaking. “What?” she exhaled. She always forgot to breathe when he was around. Read the rest of this entry »
Title Lola and the Boy Next Door
Series Anna and the French Kiss #02
Author Stephanie Perkins
Genre Young Adult Romance
Publisher Dutton Books
Publication Date September 29, 2011
Synopsis: Lola Nolan is an aspiring fashion designer with grand, over-the-top concepts that sort of define her personality. She is also a good daughter, a good enough student to keep her parents satisfied, a good friend most of the time, a fairly good employee at the movie theater where she works part-time and a pretty good girlfriend to keep her rocker boyfriend Max interested. Too bad her love interest does not fully suit the rest of her world. But Lola gets by juggling between Max and all her other responsibilities. Until the dreaded Bell twins return to the neighborhood and Cricket Bell is once again brought to the forefront of her life, throwing her emotions and life into chaos. Her childhood friends Calliope and Cricket had transformed into two divergent roles in Lola’s life as they all grew up next door to each other. While national ice skater Calliope lost interest in Lola and saw her as a nemesis there to steal her twin brother’s attention away, boy-inventor Cricket became Lola’s lifetime crush. Thankfully, they were rarely around and Lola thought she grew out of her feelings for Cricket when the Bells moved away to pursue Calliope’s career. And she also had Max… But as the Bells move back in next door, Lola is compelled to wonder the accuracy of her self-assessments.
The following section may contain some spoilers…
Experience: I loved this book and I am going to just dive into it. Despite the title more or less giving away the ending (either Lola will leave her present boyfriend for the boy next door or fumble with her feelings for the boy next door and return to her boyfriend), it is truly one of those journey-through-the-plot kind of novel and it is even more ripe with unfolding revelations because of the way Stephanie Perkins used her trademark first-person POV to reach each movement of Lola’s character development. The series of events that occur in Lola’s life, how she deals with each in the present either in reflection of her future aspirations as well as her past experiences kept me on edge. It was not very difficult to guess which ending the book will reach after reading a few chapters but it was very, very important to see how Lola would reach that conclusion all the same. Her reactions kept the suspense alive and the plot churning. And it was very interesting how Perkins managed to blend the character arc as a response to the plot conflict, which by the way was truly plot-driven and not just something the character built up in the protagonist’s head.
Moreover, as Lola transforms in the book, through her viewpoint, we also see this kaleidoscope of other very relevant characters transform, or rather their true natures reveal themselves. In fact, what makes Lola… the book so great is that Lola wouldn’t be Lola if it weren’t for the people in her life. Her parents support her career aspirations and this is an important aspect of Lola, who is really one of the most colorful characters I have come across in years. I kept imagining a butterfly with beautiful sparkly wings but one that could just as easily become a gray moth. And while her fashion sense made her a misfit in school, it’s also sort of okay because she has a great supportive best friend with whom she not only shares couture related traditions but who is also able to sanction Lola’s love affair with Max despite not being able to get along with Max herself.
Which brings us to the romantic conflicts. Max is obviously in a relationship with Lola because he is intrigued and attracted by her creative sense. But at the same time, it’s her quirky outfits that sort of niggle on him too, though he tries to claim that it is really her secretive ways. But this suggests Lola, who is all about expressing herself through her fashion, is really hiding from him because she is not fully sure of herself. An abject contrast to her relationship with Cricket, with whom she seems unable to hide anything about herself at all. Meanwhile, Cricket, as an inventor, actually feeds Lola’s aspirations with tangible contributions. Yet, she cannot consciously accept herself to be in his company because of their past conflicts. Honesty in relationships as well as with oneself is definitely a key theme of this novel. But then, the contrast between Max and Cricket is not only explored by Lola’s reaction to each love interest but also by through the interactions each possible hero has with the important people in Lola’s life. Despite the superficial similarities between Max and Cricket (creative, attractive, somewhat successful and with unique dress sense), the people Lola’s life respond differently to each.
In all this, enters Lola’s former drug addict and somewhat dissolute birth mother with whom she cannot abide and who is again living in her house and making life uncomfortable for everyone, another potential angle for Lola’s growth and self-acceptance. And even Anna and St. Clair, the wonderful heroine and hero from Anna and the French Kiss (first of the series), make appearances to further confuse Lola with their extremely adorable and heartwarmingly cohesive relationship by providing a contrast with her own relationship with Max while throwing her more frequently into Cricket’s path.
Really, with so many people so greatly invested in her life, how can a girl, who is simply trying to keep her boyfriend happy and not get involved with a former-present crush with all the seeming ability to devastate her again, not get confused? But, just as an aside, I would love to have as many creative and crazy people in my life even if they were a bit meddlesome.
Before I finish this review, I must also put in a word for Perkins’s method of world building in this novel. While in Anna…, Perkins spent long beautifully written passages describing Paris through Anna’s eyes, in Lola… she better employs her narrative genius to create individual settings to develop the reader’s sense of each character. Because, again, for Lola, all these people are essential. Perkins delves greatly into helping readers visualize Lola’s and Cricket’s bedrooms, her baker dad’s kitchen, Max’s apartment, even the living room where Lola’s mom moves in and transforms, each space an extension of the characters’ personalities and each a setting where some significant scenes of the novel unfold.
Last but not least, I always love Perkin’s name selection. Lola and Cricket, gotta love it!