Via: Daily Prompt – Proclivity & Confess
Title The Shop Around the Corner
Starring James Stewart, Margaret Sullavan, and Frank Morgan
Director Ernst Lubitsch
Writer(s) Samson Raphaelson and Miklós László
Genre Romance | Comedy | Drama
Release Date January 12, 1940
Filming Location Metro-Goldwyn-Mayer Studios, Culver City, California, USA
Parental Guidance TV-G
IMDB Rating 8.1
Synopsis: Alfred Kralik (James Stewart) is the First Salesman at the Matuschek & Co. boutique store, which has allowed him a rather comfortable bachelor’s living thus far. Sure, his relationship with the store’s owner Hugo Matuschek (Frank Morgan) is more-often-than-not contentious given that, whenever invited to share an opinion, he ends up challenging the old man’s decisions for the benefit of the store; nevertheless, he also knows that his longstanding tenure with the company and faithful efforts towards its success is appreciated by the big guy, albeit grudgingly. Besides, with a wonderful staff under his supervision, Alfred wouldn’t change a thing about his life. That is, until a steady mail correspondence with an anonymous woman has him wondering about married life and he decides, come Christmas, he will ask Matuschek for a raise. Just around the same time, a woman walks into the store and tries to cheekily talk Alfred into giving her a job by applying to his optimism regarding the upcoming Christmas sale that is likely to demand additional help. Alfred is less than approving of having his gullibility played upon by this Klara Novak (Margaret Sullavan) and refuses her a position. However, Klara, with her salesmanship, manages to impress Matuschek into hiring her and what follows is weeks of resentful verbal combat between Alfred and Klara where neither is aware that the other is the secret pen pal each has been gradually falling in love with. With just a week to go before Christmas, the epistolary lovers decide to finally meet and Alfred gets ready to ask Matuschek for a raise. Alas! His recent exchanges with the boss, who himself has been rather preoccupied with marital problems, is rockier than usual and Alfred ends up getting fired instead of being promoted. When Alfred decides to keep his date anyway, he discovers his mystery girlfriend is, in fact, Klara and there ensues a disastrous evening for both. Meanwhile, other events bring on unforeseen twists of fate for Matuschek that does not bode well for anyone related to their “shop around the corner”.
Title You’ve Got Mail
Starring Tom Hanks and Meg Ryan
Director Nora Ephron
Writer(s) Nora Ephron, Delia Ephron, and Miklós László (play)
Genre Romance | Comedy | Drama
Release Date December 18, 1998
Filming Location Manhattan, NY, USA
Parental Guidance PG
IMDB Rating 6.6
Synopsis: Kathleen Kelly (Meg Ryan) is the owner of an independent children’s bookstore in Manhattan, NY. It was whimsically named The Shop Around the Corner by her late mother, who had founded the enterprise as the local creative resource for children, from everyday reading requirements to the most unusual literary undertaking – a responsibility that Kathleen was only too happy to inherit and now upholds with relish. All this, and her reflections on the mundane topics that interest her, she relates to a mystery man she met in a chat room many moons ago and with whom she has since been keeping up a steady e-mail correspondence. Though neither reveals any particulars about their lives that may compromise their identity to the other, it is clear that their online relationship gradually takes precedence over their individual longtime love affairs. Enter Joe Fox (Tom Hanks), the heir to the mass book retail chain Fox Books, who has been entrusted to expand the family business nationwide and whose current project is ready to commence operation, literally, just around the corner from Kathleen’s store. Kathleen’s fellow storekeepers are wary of this major corporation, which they feel should be considered a formidable adversary, intending to seduce readers away with its cutthroat discounts and designer coffee. Kathleen, however, feels Fox Books’s impersonal salespeople and overstocked shelves are no threat to the knowledgeable service and rare book collection that The Shop Around the Corner provides. At first, it seems that Kathleen’s predictions will ring true, as the community rallies around her store. Even Joe, who harbors something akin to survivor’s guilt over all the independent establishments he has put out of business, becomes enchanted by Kathleen’s naturally gracious disposition towards her patrons and genuine desire to help young readers connect with the world of books – though he cunningly hides his identity from her. However, when Fox Books begins operation, sales at The Shop Around the Corner begins to decline. And when Kathleen discovers Joe’s deception about his professional identity during a later chance encounter, she vehemently condemns him as a spy and the two cross words. Yet, each continues to remain unaware that the other is their online confidant. So while on cyberspace, Joe guides Kathleen to “go to war” with her rival, in the business world, a bitter struggle for survival ensues between the two that forces each to discover a previously dormant side to their natures – and maybe learn to accept the other for their better sides in the process.
Experience: THIS is what watching romantic comedy is all about – discovering the many ways people overcome everyday challenges to learn about their individual weaknesses and strengths to converge as a unit that is better for being a whole. I don’t know how many times I have seen You’ve Got Mail. My DVD experienced its share of wear over the years before I finally laid it to rest when online streaming became the norm. Therefore, it’s funny that it took me so long to get around to seeing The Shop Around the Corner, the original movie from which the famous Hanks-Ryan feature was remade. What did I discover? Well, despite the much higher rating on IMDB for the old B&W classic, I think Nora Ephron made a vast improvement. So much so that it deserves discussing.
You know how sometimes you hear actresses complaining that Hollywood greatly prefers telling stories about male rather than female characters, that there are more hero-centric movies than heroine-centric? If you watch The Shop Around the Corner and You’ve Got Mail back-to-back, you will realize that it ain’t all wack. The original screenplay was filmed entirely from the perspective of James Stewart’s character Alfred Kralik even though the plot aimed to show how a pair of mystery correspondents who, despite acting as foils to one another in their physical realm, unbeknownst to them, may fall in love over anonymous letters. It is a meeting of the minds that transcends all other superficial qualities one regularly seeks in one’s mate. It is the realization that even daily interactions with a person may only reveal so much about them to form an honest verdict of their character. Indeed it is a story that deserved to be told from both sides of the veil since something must’ve made Klara Novak fall in love with a man she knew not in person as much as Alfred did with her but alas! Luckily, Stewart is a talented actor and the story does not suffer from his singular presence on the screen. Also, the steady earnest gaze of his soulful long-lashed eyes is dreamy beyond comparison.
Mercifully, some six decades later, women finally gained greater access to the rein in Hollywood and thus could endeavor to do better. Ephron put on her hard hat and rewrote the screenplay to tell the story how it should have been told. By adding just twenty minutes to the plot, we are presented deeper insights into both the main characters’ backstories, discovering who they are as individuals and not just the superficial perception that each form about the other. I love how, this time, the screen presence is equally divided between Kathleen Kelly and Joe Fox. I love how both the lead characters are allowed time away from one another that demonstrate their actual individual lives and responsibilities. We no longer witness who they are just over a series of arguments. They are given ample room to breathe as separate entities so that when they come together, we can savor the full-bodied texture of their romantic endeavor.
And I’m grateful that we can have more of those letters read to us – letters that were the key component to the main characters falling in love. With The Shop Around the Corner, by the time I reached the end, I couldn’t see why Alfred and Klara finally choose to be together – not after all we initially see is how horrible each is to the other when they personally interact. It almost seemed that when it finally came for the curtain to fall, the two couldn’t walk away from each other simply because they had held fast for so long to the idea that the person writing the letters was the love of their lives that admitting they were wrong would be too great a blow. I did not see love but resignation. Comparatively, in You’ve Got Mail, whatever compromise each character makes with their ego is more believable – in fact, it seems like no great sacrifice. When Joe and Kathleen first begin to fall in love, we can see why those letters compel them to emotionally stray from their respective lovers despite the uncertainty that lurks in their minds regarding the moment they should really meet lurks. When they finally fall in love, it is a person with whom they know they can genuinely share the mundane realities of life – that they once only discussed over letters – without becoming bored. It’s also love that blossoms because two people allowed themselves to wait around long enough to be proven wrong about the lacking of the other’s real self to see how great the other person truly is. The months of war becomes only a prelude to a love that is irrevocable and a friendship that is enduring.
Which brings me to the main gripe I have towards the makers of the original movie. It’s not so much as the lack of focus on the female lead character – Margaret Sullavan did receive first billing in the credits, so there’s that at least – but the fact that Klara is never given the opportunity to rise in our esteem. In fact, if I ever re-watch The Shop Around the Corner, it will only be because Alfred managed to impress me with his integrity and resilience; and should I turn myself away from the opportunity to re-watch it, it will be because Klara managed to annoy me with her myriad of character flaws. Klara is self-serving, whether she is talking a customer into purchasing an unnecessary and trivial cigarette box by pawning it off as a candy box or suddenly complimenting the supervisor she despises to get out of working late on a night she has a date. Klara is manipulative in a way where she repeatedly tries to lead others in conversations so that they would give her what she wants but think it was their own idea. But most of all, Klara is spiteful; she demonstrates a natural tendency to say hateful things, attacking Alfred with a certain regularity and feels no remorse for the hurt they cause unless it has a chance of coming back to bite her in the ass. In comparison, we see genuine guilt etched in Kathleen’s face when she witnesses the hurt her words cause Joe; it is immediate and it is sincere even though she is reluctant to admit that she is at fault. And even though when she does get around to apologizing she also slips in a compliment to herself by professing it is uncharacteristic of her to not be a nice person, we also can be sure she truly is sorry to have caused hurt and that she knows that she has no right to do so. And since there is no self-interest in her apologies other than to rectify a misbehavior, the apologies are not hollow. While Kathleen’s personality just takes a wrong turn every time she comes into close proximity of Joe Fox the corporate big shot, we can’t be as sure that Klara is not self-promoting and mean. So when Klara claims she had found Alfred attractive, it rings abrupt and false, but when Kathleen cries she had hoped her mystery man would be Joe, we have to believe her. Frankly, I feel that, once the novelty wears off, marriage between Kathleen and Joe has much higher chances of survival than Alfred and Klara.
Recommendation: Giving a final recommendation at this point seems superfluous, but unless you wish to do a comparative analysis of the two features, spare yourself from watching The Shop Around the Corner. Contrarily, my heartiest wishes to you for watching You’ve Got Mail; they rarely make sensible romance movies like that anymore.
#1 by Covert Novelist on December 27, 2017 - 9:34 pm
I loved You’ve Got Mail. I had it on tape and dvd and I’ve watched it dozens of times. Thoroughly enjoyable!
#2 by lupa08 on December 27, 2017 - 9:42 pm
Yes! It’s one of those movies that never bores me, regardless of the number of times I’ve watched it or how frequently.
Thanks for reading! 😃🙏
#3 by Covert Novelist on December 28, 2017 - 1:57 am
You are most welcome. I loved your piece.
#4 by lupa08 on January 12, 2018 - 8:01 pm
#5 by authorsinspirations on December 27, 2017 - 11:19 pm
i never watched – or heard about the first one, but i remeber the second one. you’ve got mail. i think Tom has a kid in this one, right? or maybe i’m mixing movies?
#6 by lupa08 on January 12, 2018 - 7:58 pm
Well, Hank has a 5-year-old stepbrother that he is very close to and takes out on outings. Basically, his dad is a serial divorcer and eventually has a second son in his late sixty’s. I think you may remember him. He almost foils Hank’s character’s deception in front of Ryan’s character when the kid spells every word F-O-X – one of the funniest scenes in the movie.
#7 by Paul S on December 28, 2017 - 12:20 am
There’s an undeniable warmth to You’ve Got Mail. For the cynical, it’s a bittersweet Hollywood cash-cow. For me it’s a two-hour trip over the rainbow.
#8 by lupa08 on January 12, 2018 - 7:59 pm
I’m so glad you feel that way. It’s always lovely to meet people who can enjoy simple geniuses like You’ve Got Mail.
#9 by Melissa on November 28, 2021 - 2:27 am
*Warning! Long comment.
I consider You’ve Got Mail a sort of guilty pleasure. My daughter and I have a tradition of watching it on Thanksgiving, as a sort of official start to the holidays. The past several years I have added The Shop Around the Corner to the watchlist first, followed by YGM. I don’t need to sit in front of the screen and watch – just having it on in the background while wrapping presents or cooking is … a strange comfort.
Why a guilty pleasure? Because Joe Fox is a creep! A charming creep, but still a creep. The way he and his father and grandfather celebrate the demise of another independent bookstore. I cringe every time at the scene in the coffee shop. He is a little too excited and relieved to learn that she’s pretty. (In TSATC Jimmy Stewart’s character hopes she’s not too pretty, thinking he wouldn’t have a chance – the humbleness is sweet.) Then when Joe Fox realizes it’s Kathleen Kelly, he intentionally misleads and lies to her. He’s cruel. She doesn’t deserve that. He toys with her for the entire rest of the movie.
The underlying theme that Capitalism Wins is also disappointing. “It’s a lovely store, and in a week it will be something really depressing, like a Baby Gap.” She’s forced to shutter business her mother left her, and goes to work for him. We’re supposed to consider this a happy ending. No.
She questions her “small” life, “Do I do it because I like it, or because I haven’t been brave?”
And yet, there’s something about Nora Ephron’s writing that is so compelling and charming – I still enjoy the movie. I love the New York backdrop, the set design is amazing as in all of Ephron’s films, the dialogue, the supporting cast – it’s all so good. If I catch it playing – anywhere, any time, I will watch it. So many quotable lines.
Patricia makes coffee nervous.
You think that machine is your friend, but it’s not.
It’s like those people who brag because they’re tall.
That caviar is a garnish!
Happy Thanksgiving back.
And this …
Joe Fox: “It wasn’t… personal.”
Kathleen Kelly: “What is that supposed to mean? I am so sick of that. All that means is that it wasn’t personal to you. But it was personal to me. It’s personal to a lot of people. And what’s so wrong with being personal, anyway?”
Joe Fox: “Uh, nothing.”
Kathleen Kelly: “Whatever else anything is, it ought to begin by being personal.”
#10 by lupa08 on May 22, 2022 - 4:27 pm
Such an elegant observation! Thank you for sharing that.
I understand why you feel Joe is a creep; it’s in his family name- Fox! He is meant to be wile-y. I guess the point was to have him redeem himself by the end of the movie? Yes, the shop still closed but I guess that’s the reality of corporate America. Saving the shop may have been too miraculous and unrealistic at that point. But Joe, in falling in love with Kathleen, perhaps has changed. Going forward, maybe we can hope that she will act as his conscience? I think that was the point of the movie.
That’s what I loved about the 90’s rom-coms, the character arcs were so intricately woven into the plot. They really don’t make ’em like they used to.
I sometimes watch YGM for Christmas too! But my need for Nora Ephron movies usually kick in when winter mellows into spring. I guess nature triggers me to fall in love again and I respond by binging on 90’s flicks 😊
#11 by lupa08 on January 12, 2018 - 8:01 pm